We are in a logic of simulation, which no longer has anything to do with a logic of facts and an order of reason. Simulation is characterized by a precession of the model, of all the models based on the merest fact-the models come first, their circulation, orbital like that of the bomb, constitutes the genuine magnetic field of the event. The facts no longer have a specific trajectory, they are born at the intersection of models, a single fact can be engendered by all the models at once.

Watergate was thus nothing but a lure held out by the system to catch its adversaries-a simulation of scandal for regenerative ends.

People no longer look at each other, but there are institutes for that. They no longer touch each other, but there is contactotherapy. They no longer walk, but they go jogging, etc. Everywhere one recycles lost faculties, or lost bodies, or lost sociality, or the lost taste for food.

This world wants to be childish in order to make us believe that the adults are elsewhere, in the "real" world, and to conceal the fact that true childishness is everywhere-that it is that of the adults themselves who come here to act the child in order to foster illusions as to their real childishness.

Disneyland exists in order to hide that it is the "real" country, all of "real" America that is Disneyland (a bit like prisons are there to hide that it is the social in its entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real.

Our entire linear and accumulative culture collapses if we cannot stockpile the past in plain view. "

When the real is no longer what it was, nostalgia assumes its full meaning. "The Precession of Simulacra,"

"The Precession of Simulacra,"

Such would be the successive phases of the image:it is the reflection of a profound reality;it masks and denatures a profound reality;it masks the absence of a profound reality;it has no relation to any reality whatsoever: it is its own pure simulacrum.In the first case, the image is a good appearance-representation is of the sacramental order. In the second, it is an evil appearance-it is of the order of maleficence. In the third, it plays at being an appearance-it is of the order of sorcery. In the fourth, it is no longer of the order of appearances, but of simulation.

The Jesuits founded their politics on the virtual disappearance of God and on the worldly and spectacular manipulation of consciences-the evanescence of God in the epiphany of power-the end of transcendence, which now only serves as an alibi for a strategy altogether free of influences and signs. Behind the baroqueness of images hides the éminence grise of politics.