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9 months 3 weeks ago

The different pieces of evidence did not constitute so many neutral elements, until such time as they could be gathered together into a single body of evidence that would bring the final certainty of guilt. Each piece of evidence aroused a particular degree of abomination. Guilt did not begin when all the evidence was gathered together; piece by piece, it was constituted by each of the elements that made it possible to recognize a guilty person. Thus a semi-proof did not leave the suspect innocent until such time as it was completed; it made him semi-guilty; slight evidence of a serious crime marked someone as slightly criminal. In short, penal demonstration did not obey a dualistic system: true or false; but a principle of continuous gradation; a degree reached in the demonstration already formed a degree of guilt and consequently involved a degree of punishment.

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Chapter One, The body of the condemned, pp.23
9 months 3 weeks ago

This book is intended as a correlative history of the modern soul and of a new power to judge; a genealogy of the present scientifico-legal complex from which the power to punish derives its bases, justifications and rules, from which it extends its effects and by which it extends its effects and by which it masks its exorbitant singularity.

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Chapter One, The Spectacle of the Scaffold, pp.42
9 months 3 weeks ago

A utopia of judicial reticence: take away life, but prevent the patient from feeling it; deprive the prisoner of all rights, but do not inflict pain; impose penalties free of all pain. Recourse to psycho-pharmacology and to various physiological 'disconnectors', even if it is temporary, is a logical consequence of this 'non-corporal' penalty.

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Chapter One, The Spectacle of the Scaffold
9 months 3 weeks ago

The disappearance of public executions marks therefore the decline of the spectacle; but it also marks a slackening of the hold on the body.

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Chapter One, The Spectacle of the Scaffold
9 months 3 weeks ago

Instead of insanity eliminating the crime according to the original meaning of article 64,every crime and even every offense now carries within it, as a legitimate suspicion, but also as a right that may be claimed, the hypothesis of insanity, in any case of anomaly. And the sentence that condemns or acquits is not simply a judgement of guily, a legal decision that lays down punishment; it bears within it an assessment of normality and a technical prescription for a possible normalization Today the judge- magistrate or juror0 certainly does more than 'judge'.

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pp. 20-21
9 months 3 weeks ago

It was an important moment. The old partners of the spectacle of punishment, the body and the blood, gave way. A new character came of the scene, masked. It was the end of a certain kind of tragedy; comedy began, with shadow play, faceless voices, impalpable entities. The apparatus of punitive justice must now bite into this bodiless reality.

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pp. 17
9 months 3 weeks ago

The guillotine takes life almost without touching the body, just as prison deprives of liberty or a fine reduces wealth. It is intended to apply the law not so to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist it had to have the abstraction of the law itself.

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pp. 13, Chapter One The Body of the Condemned
9 months 3 weeks ago

It is ugly to be punishable, but there is no glory in punishing. Hence the double system of protection that justice has set up between itself and the punishment it imposes.

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pp. 10
9 months 3 weeks ago

Is it surprising that prisons resemble factories, schools, barracks, hospitals, which all resemble prisons?

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Discipline and Punish (1977) as translated by Alan Sheridan, p. 228
9 months 3 weeks ago

The soul is the prison of the body.

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Discipline and Punish (1977) as translated by Alan Sheridan, p. 30

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