Unhappily, history proves that war is, in a certain sense, the habitual state of mankind, which is to say that human blood must flow without interruption somewhere or other on the globe, and that for every nation, peace is only a respite.

This makes me think that the French Revolution is a great epoch and that its consequences, in all kinds of ways, will be felt far beyond the time of its explosion and the limits of its birthplace.

Providence has given the French nation precisely two instruments, two arms, so to speak, with which it stirs up the world – the French language and the spirit of proselytism that forms the essence of the nation's character.

If Providence erases, it is no doubt in order to write.

Too many French scholars were the principal authors of the Revolution, too many approved and gave their support so long as the Revolution, like Tarquinius' sceptre, struck down only the tallest heads. Like so many others, they said, It is impossible to make a great revolution without incurring misfortunes. But when a philosopher justifies evil by the end in view, when he says in his heart, Let there be a hundred thousand murders, provided we are free, and Providence replies, I accept your offer, but you must be included in the number, where is the injustice?

Men do not lead the revolution; it is the Revolution that uses men. They are right when they say it goes all alone. This phrase means that never has the Divinity shown itself so clearly in any human event. If the vilest instruments are employed, punishment is for the sake of regeneration.

We are all attached to the throne of the Supreme Being by a supple chain that restrains us without enslaving us. Nothing is more admirable in the universal order of things than the action of free beings under the divine hand. Freely slaves, they act voluntarily and necessarily at the same time; they really do what they will, but without being able to disturb the general plans. Each of these beings occupies the centre of a sphere of activity whose diameter varies according to the will of the Eternal Geometer, who can extend, restrict, check, or direct the will without altering its nature.

The most beautiful monuments of Athens belong to the century of Pericles. In Rome, what writers were produced under the Republic? Only Plautus and Terence. Lucretius, Sallust, and Cicero saw the Republic die. Then came the century of Augustus when the nation was all that it could be by way of talents. The arts, in general, need a king; they only flourish under the influence of sceptres. Even in Greece, the only country where they flourished in the milieu of a republic, Lysippos and Apelles worked for Alexander. Aristotle owed to Alexander’s generosity the means to compose his history of animals; and, after the death of this monarch, the poets, scholars, and artists went to look for protection and rewards in the courts of his successors.

The sentiment that dominates all Rousseau’s works is a certain plebeian anger that excites him against every kind of superiority. The energetic submission of the wise man bends nobly under the indispensable empire of social distinctions, and never does be appear greater than when he bows; but Rousseau has nothing at all of this loftiness. Weak and surly, he spent his life spouting insults to the great, as he would have offered the same to the people if he had been born a great lord.

The mixture of children and men is precisely one of the most beautiful features of aristocratic government. All roles are distributed wisely in the world: that of the young is to do good, and that of old age is to prevent evil. The impetuosity of young men, who demand only action and creation, is very useful to the State; but they are too likely to innovate and destroy, and they would do much evil without the elderly, who are there to stop them. The latter in their turn oppose even useful reforms; they are too inflexible, they do not know how to accommodate themselves to circumstances, and sometimes a twenty-year old senator can very well be placed beside another of eighty.