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And thus Christianity is played in “Christendom.” Artists in dramatic costumes make their appearance in artistic buildings—there really is no danger at all, anything but that: the teacher is a royal functionary, steadily promoted, making a career—and how he dramatically plays Christianity, in short, he plays comedy. He lectures about renunciation, but he himself is being steadily promoted; he teaches all that about despising worldly titles and rank, but he himself is making a career.
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