What Nietzsche portrays is aristocratic self-assertion; what Homer and the sagas show are forms of assertion proper to and required by a certain role. The self becomes what it is in heroic societies only through its role; it is a social creation, not an individual one. Hence when Nietzsche projects back on to the archaic past his own nineteenth-century individualism, he reveals that what looked like an historical enquiry was actually an inventive literary construction. Nietzsche replaces the fictions of the Enlightenment individualism, of which he is so contemptuous, with a set of individualist fictions of his own. From this is it does not follow that one could not be an undeceived Nietzschean; and the whole importance of being a Nietzschean does after all lie in the triumph of being finally undeceived, being, as Nietzsche put it, truthful at last. It is simply, one might be tempted to conclude, that any would-be true Nietzschean will after all have to go further than Nietzsche.