The problem... Democracy is founded by a politeia, a constitution, where the demos, the people, exercise power, and... everyone is equal in front of the law. Such a constitution... is condemned to give equal place to all forms of parrhesia, even the worst. Because parrhesia is given even to the worst citizens, the overwhelming influence of bad, immoral, or ignorant speakers may lead... into tyranny, or... otherwise endanger the city. Hence parrhesia may be dangerous for democracy itself.

In order for parrhesia to have positive political effects, it must... be linked to a good education, to intellectual and moral formation, to paideia or mathesis.

In... "The Education of Children"... Plutarch gives an anecdote of Theocritus, a sophist, as an example of athuroglossos... he is... "a giant in impudence"... strong not because of his reason, or his rhetorical ability... or his ability to pronounce the truth, but only because he is arrogant. ...His fourth trait is... "putting his confidence in bluster." He is confident in thorubos... the noise made by a strong voice, by a scream, a clamor, or uproar. ...The final characteristic ...his confidence in ..."ignorant outspokenness..." ... it lacks mathesis ...—learning or wisdom.

It is a sign of wisdom to be able to use parrhesia without falling into the garrulousness of athuroglossos... One of the problems... how to distinguish that which must be said from that which should be kept silent.

Athuroglossos is characterized by..: (1) When you have "a mouth like a running spring," you cannot distinguish those occasions when you should speak from those when you should remain silent; or that which must be said from that which must remain unsaid; or the circumstances and situations where speech is required from those where one ought to remain silent. (2) As Plutarch notes... you have no regard for the value of logos, for rational discourse as a means of gaining access to truth.

Ion is... a parrhesiastes, i.e., the sort... so valuable to democracy or monarchy since he is courageous enough to explain either to the demos or to the king just what the short-comings of their life really are.

Ion explains that in a democracy there are three categories of citizens: ...(1) citizens who have neither power nor wealth, and who hate all who are superior ...; (2) ...good Athenians ...capable of exercising power, but because they are wise ...keep silent ... and do not worry about ...political affairs ...(3) ...reputable men who are powerful, and use their discourse and reason to participate ...[T]he first group ...will hate him; the second ...will laugh at the young man who wishes to be regarded as one of the First Citizens of Athens; and the ...politicians, will be jealous ...and will try to get rid of him.

We see..., a connection between the lack of parrhesia and slavery. For if you cannot speak freely... then you are enslaved.

Power without limitation is directly related to madness. The man who exercises power is wise only insofar as there exists someone who can use parrhesia to criticize him, thereby putting some limit to his power, to his command.

The play Ion is... devoted to the problem of parrhesia... It pursues the question; who has the right, the duty, and the courage to speak the truth?