Now, as it happens, one of the very few references to any idea in the domain of sport to be found in the most orthodox type of contemporary philosophy is what Wittgenstein has to say about the concept of a game.
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, "Locker Room Metaphysics", The New York Review of Books (August 21, 1969)
Philosophers often behave like little children who scribble some marks on a piece of paper at random and then ask the grown-up "What's that?" — It happened like this: the grown-up had drawn pictures for the child several times and said "this is a man," "this is a house," etc. And then the child makes some marks too and asks: what's this then?
The truth can be spoken only by someone who is already at home in it; not by someone who still lives in untruthfulness, and does no more than reach out towards it from within untruthfulness.
A teacher who can show good, or indeed astounding results while he is teaching, is still not on that account a good teacher, for it may be that, while his pupils are under his immediate influence, he raises them to a level which is not natural to them, without developing their own capacities for work at this level, so that they immediately decline again once the teacher leaves the schoolroom.
I think I summed up my attitude to philosophy when I said: philosophy ought really to be written only as a poetic composition.
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p. 24e | variant translation at [https://wittgenstein-initiative.com/writing-philosophy-as-poetry-literary-form-in-wittgenstein/ wittgenstein-initiative.com]: I think I summed up my position vis-а-vis philosophy when I said: philosophy should really be wr
People nowadays think that scientists exist to instruct them, poets, musicians, etc. to give them pleasure. The idea that these have something to teach them — that does not occur to them.
The purely corporeal can be uncanny. Compare the way angels and devils are portrayed. So-called "miracles" must be connected with this. A miracle must be, as it were, a sacred gesture.
If life becomes hard to bear we think of improvements. But the most important and effective improvement, in our own attitude, hardly occurs to us, and we can decide on this only with the utmost difficulty.
Schiller writes in a letter [to Goethe, 17 December 1795] of a ‘poetic mood’. I think I know what he means, I think I am familiar with it myself. It is the mood of receptivity to nature and one in which one's thoughts seem as vivid as nature itself.
A hero looks death in the face, real death, not just the image of death. Behaving honourably in a crisis doesn't mean being able to act the part of a hero well, as in the theatre, it means being able to look death itself in the eye. For an actor may play lots of different roles, but at the end of it all he himself, the human being, is the one who has to die.
If life becomes hard to bear we think of a change in our circumstances. But the most important and effective change, a change in our own attitude, hardly even occurs to us, and the resolution to take such a step is very difficult for us.
I believe that one of the things Christianity says is that sound doctrines are all useless. That you have to change your life. (Or the direction of your life.)