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5 months 3 weeks ago
The belief that there is some hidden cabal directing the course of events is a type of anthropomorphism – a way of finding agency in the entropy of history.
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In the Puppet Theatre: Puppetry, Conspiracy and Ouija Boards (p. 133)
5 months 3 weeks ago
With new technologies of surveillance, economies of scale overcome problems of cost. Since all their electronic communications can be accessed, it is no longer necessary to segregate the inmates from one another. As there is no outside world, escape becomes unimaginable. Technological progress has brought into being a system of surveillance more far-reaching than any Bentham could have conceived. Enclosing the entire population in a virtual Panopticon might seem the ultimate invasion of freedom. But universal confinement need not be experienced as a privation. If they know nothing else, most are likely to accept it as normal. If the technology through which surveillance operates also provides continuous entertainment, they may soon find any other way of living intolerable.
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In the Puppet Theatre: A Universal Panopticon (p. 125)
5 months 3 weeks ago
Near-ubiquitous technological monitoring is a consequence of the decline of cohesive societies that has occurred alongside the rising demand for individual freedom.
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In the Puppet Theatre: An Iron Mountain and a Shifting Spectacle (p. 121)
5 months 3 weeks ago
Today those who peer into the future want only relief from anxiety. Unable to face the prospect that the cycles of war will continue, they are desperate to find a pattern of improvement in history. It is only natural that believers in reason, lacking any deeper faith and too feeble to tolerate doubt, should turn to the sorcery of numbers. Happily there are some who are ready to assist them. Just as the Elizabethan magus transcribed tables shown to him by angels, the modern scientific scryer deciphers numerical auguries of angels hidden in ourselves.
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In the Puppet Theatre: Dark mirrors, Hidden Angels and an Algorithmic Prayer-Wheel (p. 99)
5 months 3 weeks ago
Humans kill one another – and in some cases themselves – for many reasons, but none is more human than the attempt to make sense of their lives. More than the loss of life, they fear loss of meaning.
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In the Puppet Theatre: Roof Gardens, Feathers and Human Sacrifice (p. 87)
5 months 3 weeks ago
Rather than trying to escape violence, human beings more often become habituated to it. History abounds with long conflicts – the Thirty Years’ War in early seventeenth-century Europe, the Time of Troubles in Russia, twentieth-century guerrilla conflicts – in which continuous slaughter has been accepted as normal. Famously adaptable, the human animal quickly learns to live with violence and soon comes to find satisfaction in it.
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In the Puppet Theatre: Roof Gardens, Feathers and Human Sacrifice (p. 80)
5 months 3 weeks ago
The modern world inherits the Christian view in which salvation is played out in history. In Christian myth human events follow a design known only to God; the history of humankind is an ongoing story of redemption. This is an idea that informs virtually all of western thought – not least when it is intensely hostile to religion. From Christianity onwards, human salvation would be understood (at least in the west) as involving movement through time. All modern philosophies in which history is seen as a process of human emancipation – whether through revolutionary change or incremental improvement – are garbled versions of this Christian narrative, itself a garbled version of the original message of Jesus.
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The Faith of Puppets: The Revelation of Philip K. Dick (p. 60)
5 months 3 weeks ago
For Leopardi evil is integral to the way the world works; but when he talks of evil he does not mean any kind of malign agency of the sort that Gnostics imagined. Evil is the suffering that is built into the scheme of things. ‘What hope is there when evil is ordinary?’ he asks. ‘I mean, in an order where evil is necessary?’ These rhetorical questions show why Leopardi had no interest in projects of revolution and reform. No type of human action – least of all the harlequinade of politics – could fundamentally alter a world in which evil was ordinary.
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The Faith of Puppets: Leopardi and the Souls of Machines (p.35-6)
5 months 3 weeks ago
In Leopardi’s view, the universal claims of Christianity were a licence for universal savagery. Because it is directed to all of humanity, the Christian religion is usually praised, even by its critics, as an advance on Judaism. Leopardi – like Freud a hundred years later – did not share this view. The crimes of medieval Christendom were worse than those of antiquity, he believed, precisely because they could be defended as applying universal principles: the villainy introduced into the world by Christianity was ‘entirely new and more terrible … more horrible and more barbarous than that of antiquity’. Modern rationalism renews the central error of Christianity – the claim to have revealed the good life for all of humankind. Leopardi described the secular creeds that emerged in modern times as expressions of ‘half-philosophy’, a type of thinking with many of the defects of religion. What Leopardi called ‘the barbarism of reason’ – the project of remaking the world on a more rational model – was the militant evangelism of Christianity in a more dangerous form. Events have confirmed Leopardi’s diagnosis. As Christianity has waned, the intolerance it bequeathed to the world has only grown more destructive. From imperialism through communism and incessant wars launched to promote democracy and human rights, the most barbarous forms of violence have been promoted as means to a higher civilization.
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The Faith of Puppets: Leopardi and the Souls of Machines (p.32-3)
5 months 3 weeks ago
In Kleist’s essay humans are caught between the graceful automatism of the puppet and the conscious freedom of a god. The jerky, stuttering quality of their actions comes from their feeling that they must determine the course of their lives. Other animals live without having to choose their path through life. Whatever uncertainty they may feel sniffing their way through the world is not a permanent condition; once they reach a place of safety, they are at rest. In contrast, human life is spent anxiously deciding how to live.
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The Faith of Puppets: Leopardi and the Souls of Machines (p.25-6)

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