The function [of objective thinking] is to reduce all phenomena which bear witness to the union of subject and world, putting in their place the clear idea of the object as in itself and of the subject as pure consciousness. It therefore severs the links which unite the thing and the embodied subject, leaving only sensible qualities to make up our world (to the exclusion of the modes of appearance which we have described), and preferably visual qualities, because these give the impression of being autonomous, and because they are less directly linked to our body and present us with an object rather than introducing us into an atmosphere. But in reality all things are concretions of a setting, and any explicit perception of a thing survives in virtue of a previous communication with a certain atmosphere.
Hardness and softness, roughness and smoothness, moonlight and sunlight present themselves in our recollection not preeminently as sensory contents but as certain kinds of symbioses, certain ways outside has of invading us and certain ways we have of meets this invasion...
By becoming the pure subject who knows the world objectively, man ultimately realizes that absolute consciousness with respect to which the body and individual existence are no longer anything but objects; death is deprived of meaning. Reduced to the status of object of consciousness, the body could not be conceived as an intermediary between "things" and the consciousness which knows them.
The accidents of our bodily constitution can always play this revealing role on the condition that they become a means of extending our knowledge by the consciousness which we have of them, instead of being submitted to as pure facts which dominate us. Ultimately, El Greco's supposed visual disorder was conquered by him and so profoundly integrated into his manner of thinking and being that it appears finally as the necessary expression of his being much more than as a peculiarity imposed from the outside. It is no longer a paradox to say that "El Greco was astigmatic because he produced elongated bodies." Everything which was accidental in the individual, that is, everything which revealed partial and independent dialectics without relationship to the total signification of his life, has been assimilated and centered in his deeper life. Bodily events have ceased to constitute autonomous cycles, to follow the abstract patterns of biology and psychology, and have received a new meaning.
Machiavelli is the complete contrary of a machiavellian, since he describes the tricks of power and "gives the whole show away." The seducer and the politician, who live in the dialectic and have a feeling and instinct for it, try their best to keep it hidden.
