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In order to succeed, we must first believe that we can.

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Michael Korda, in Success! (1977), p. 284

Do you believe in dreams, Uncle Simeon? I do; I believe in nothing else. One night I dreamed that invisible enemies had me tied to a dead cypress. Long red arrows were sticking into me from my head to my feet, and the blood was flowing. On my head they had placed a crown of thorns, and intertwined with the thorns were fiery letters which said: "Saint Blasphemer." I am Saint Blasphemer, Rabbi Simeon. So you'd better not ask me anything else, or I'll start my blasphemies.

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Ch. 10

The more devils we have within us, the more chance we have to form angels.

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Ch. 10

This book is not a biography; it is the confession of every man who struggles. In publishing it I have fulfilled my duty, the duty of a person who struggled much, was embittered in his life,

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I wanted to offer a supreme model to the man who struggles; I wanted to show him that he must not fear pain, temptation or death - because all three can be conquered, all three have already been conquered.

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This is the Supreme Duty of the man who struggles - to set out for the lofty peak which Christ, the first-born sone of salvation, attained. How can we begin? If we are to follow him we must have a profound knowledge of his conflict, we must relive his anguish: his victory over the blossoming snares of the earth, his sacrifice of the great and small joys of men and his ascent from sacrifice to sacrifice, exploit to exploit, to martyrdom's summit, the Cross.

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The highest point a man can obtain is not Knowledge, or Virtue, or Goodness, or Victory, but something even greater, more heroic and more despairing: Sacred Awe!

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Ch. 24

What a strange machine man is! You fill him with bread, wine, fish, and radishes, and out comes sighs, laughter, and dreams.

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Ch. 23

As I watched the seagulls, I thought: "That's the road to take; find the absolute rhythm and follow it with absolute trust."

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Ch. 21

In religions which have lost their creative spark, the gods eventually become no more than poetic motifs or ornaments for decorating human solitude and walls.

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Ch. 12

Every village has its simpleton, and if one does not exist they invent one to pass the time.

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Ch. 8

How simple and frugal a thing is happiness: a glass of wine, a roast chestnut, a wretched little brazier, the sound of the sea. . . . All that is required to feel that here and now is happiness is a simple, frugal heart.

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Ch. 7

While experiencing happiness, we have difficulty in being conscious of it. Only when the happiness is past and we look back on it we do suddenly realize - sometimes with astonishment - how happy we had been.

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Ch. 6

Two equally steep and bold paths may lead to the same peak. To act as if death did not exist, or to act thinking every minute of death, is perhaps the same thing.

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Ch. 3

To cleave that sea in the gentle autumnal season, murmuring the name of each islet, is to my mind the joy most apt to transport the heart of man into paradise.

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On the Aegean Sea, in Ch. 2

I've fought with men and gods, I've weighed them well and foundthe sea more firm than earth, the air more firm than sea,and man's impalpable soul still yet more firm than air!

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Odysseus, Book XI, line 846

I hate all virtues based on food and bloated bellies;though food and drink are good, I'm better slaked and fedby that inhuman flame which burns in our black bowels.I like to name that flame which burns within me God!

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Odysseus, Book XI, line 840

The doors of heaven and hell are adjacent and identical.

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Ch. 18

As long as our souls remain strong, that is all that matters; as long as they don't decline. Because with the fall of certain souls in this world, the world itself will collapse. These are the pillars which support it. They are few, but enough.

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"My Friend Poet. Mount Athos.", Ch. 19, p. 215

If you love me, be patient. Look at the trees. Are they in a hurry to ripen their fruit?

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There is only one woman in the world. One woman, with many faces.

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This occurs in the film The Last Temptation of Christ (1988), based upon the novel by Kazantzakis, but has not been located in the novel itself.

I heard the bells from the future churches, the children playing and laughing in the schoolyards ... and here was an almond tree in bloom before me: I must reach out and cut a flowering branch. For, by believing passionately in something which still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired, whatever we have not irrigated with our blood to such a degree that it becomes strong enough to stride across the somber threshold of nonexistence.

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p. 434; in a few publications since 2008 part of this has been misattributed to Franz Kafka: "By believing passionately in something which still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired."

One day our Sodom and Gomorrah would be trampled by some all-powerful foot, and this world which laughed, reveled, and forgot God would be transformed, in its turn, into a Dead Sea. At the end of every period God's foot comes along in this way and tramples the cities of the overindulged belly, the overdeveloped mind. I felt afraid (Sometimes it seems to me that this world is another Sodom and Gomorrah just before God's passage above it. I think the terrible foot can already be heard approaching).

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Jerusalem, Ch. 20, p. 249

How difficult, how extremely difficult for the soul to sever itself from its body the world: from mountains, seas, cities, people. The soul is an octopus and these are its tentacles. ... No force anywhere on earth is as imperialistic as the human soul. It occupies and is occupied in turn, but it always considers its empire too narrow. Suffocating, it desires to conquer the world in order to breathe freely.

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My Friend The Poet. Mount Athos., Ch. 19, p. 188

Once more I realized to what an extent earthly happiness is made to the measure of man. It is not a rare bird which we must pursue at one moment in heaven, at the next in our minds. Happiness is a domestic bird found in our own courtyards.

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"Italy", Ch. 18, p. 182

I felt that human partitions - bodies, brains, and souls - were capable of being demolished, and that humanity might return again, after frightfully bloody wandering, to its primeval, divine oneness. In this condition, there is no such thing as "me", "you", and "he"; everything is a unity and this unity is a profound mystic intoxication in which death loses its scythe and ceases to exist. Separately, we die one by one, but all together we are immortal. Like prodigal sons, after so much hunger, thirst, and rebellion, we spread our arms and embrace our two parents: heaven and earth.

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Liberty, Ch. 12, p. 105

A magical portal opened inside my mind and conducted me into an astonishing world. ... Before this moment I had divined but had never known with such positiveness that the world is extremely large and that suffering and toil are the companions and fellow warriors not only of Cretan, but of every man. ... that by means of poetry all this suffering and effort could be transformed into dream; no matter how much of the ephemeral existed, poetry could immortalize it by turning it into song.

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Naxos, Ch. 11, p. 96

Every word is an adamantine shell which encloses a great explosive force. To discover its meaning you must let it burst inside you like a bomb and in this way liberate the soul which it imprisons.

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Massacre, Ch. 10, p. 88

I thank God that this refreshing childhood vision still lives inside me in all its fullness of color and sound. This is what keeps my mind untouched by wastage, keeps it from withering and running dry. It is the sacred drop of immortal water which prevents me from dying. When I wish to speak of the sea, woman, or God in my writing, I gaze down in my breast and listen carefully to what the child within me says. He dictates to me; and if it sometimes happens that I come close to these great forces of the sea, woman, and God, approach them by means of words and depict them, I owe it to the child who still lives within me. I become a child again to enable myself to view the world always for the first time, with virgin eyes.

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The Son, Ch. 4, p. 49

I possess no weapon but love. With that I have come to do battle. Help me!

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I said only one word, brought only one message: Love. Love - nothing else.

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How can anyone see the only way the world can be saved and not be forced to weep?

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My entire soul is a cry, and all my work the commentary on that cry.

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Author's Introduction, p. 15

Every man worthy of being called a son of man bears his cross and mounts his Golgotha. Many, indeed most, reach the first or second step, collapse pantingly in the middle of the journey, and do not attain the summit of Golgotha, in other words the summit of their duty: to be crucified, resurrected, and to save theirs souls. Afraid of crucifixion, they grow fainthearted; they do not know that the cross is the only path to resurrection. There is no other path.

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Author's Introduction, p. 15

Beauty is merciless. You do not look at it, it looks at you and does not forgive.

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"Since we cannot change reality, let us change the eyes which see reality," says one of my favorite Byzantine mystics. I did this when a child; I do it now as well in the most creative moments of my life.

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"The Son", Ch. 4, p. 45

Profound and incommensurable is the worth of this flowing world: God clings to it and ascends, God feeds upon it and increases.

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The wife of my God is matter; they wrestle with each other, they laugh and weep, they cry out in the nuptial bed of flesh. They spawn and are dismembered. They fill sea, land, and air with species of plants, animals, men, and spirits. This primordial pair embraces, is dismembered, and multiplies in every living creature. All the concentrated agony of the Universe bursts out in every living thing. God is imperiled in the sweet ecstasy and bitterness of flesh. But he shakes himself free, he leaps out of brains and loins, then clings to new brains and new loins until the struggle for liberation again breaks out from the beginning.

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Joy! Joy! I did not know that all this world is so much part of me, that we are all one army, that windflowers and stars struggle to right and left of me and do not know me; but I turn to them and hail them. The Universe is warm, beloved, familiar, and it smells like my own body. It is Love and War both, a raging restlessness, persistence and uncertainty. Uncertainty and terror. In a violent flash of lightning I discern on the highest peak of power the final, the most fearful pair embracing: Terror and Silence. And between them, a Flame.

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"Fire is the first and final mask of my God. We dance and weep between two enormous pyres." Our thoughts and our bodies flash and glitter with reflected light. Between the two pyres I stand serenely, my brain unshaken amid the vertigo, and I say: "Time is most short and space most narrow between these two pyres, the rhythm of this life is most sluggish, and I have no time, nor a place to dance in. I cannot wait." Then all at once the rhythm of the earth becomes a vertigo, time disappears, the moment whirls, becomes eternity, and every point in space - insect or star or idea - turns into dance.

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This ultimate stage of our spiritual exercise is called Silence. Not because its contents are the ultimate inexpressible despair or the ultimate inexpressible joy and hope. Nor because it is the ultimate knowledge which does not condescend to speak, or the ultimate ignorance which cannot. Silence means: Every person, after completing his service in all labors, reaches finally the highest summit of endeavor, beyond every labor, where he no longer struggles or shouts, where he ripens fully in silence, indestructibly, eternally, with the entire Universe.

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How can you reach the womb of the Abyss to make it fruitful? This cannot be expressed, cannot be narrowed into words, cannot be subjected to laws; every man is completely free and has his own special liberation. No form of instruction exists, no Savior exists to open up the road. No road exists to be opened.

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With silent strides Odysseus then shot back the bolt,passed lightly through the courtyard and sped down the street.Some saw him take the graveyard's zigzag mountain path,some saw him leap on rocks that edged the savage shore,some visionaries saw him in the dead of nightswimming and talking secretly with the sea-demons,but only a small boy saw him in a lonely dreamsit crouched and weeping by the dark sea's foaming edge.

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Book II, line 457

A woman's body is a dark and monstrous mystery;between her supple thighs a heavy whirlpool swirls,two rivers crash, and woe to him who slips and falls!

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Odysseus, Book II, line 1017

If you are a man of learning, fight in the skull, kill ideas and create new ones. God hides in every idea as in every cell of flesh. Smash the idea, set him free! Give him another, a more spacious idea in which to dwell.

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Every man has his own circle composed of trees, animals, men, ideas, and he is in duty bound to save this circle. He, and no one else. If he does not save it, he cannot be saved. These are the labors each man is given and is in duty bound to complete before he dies. He may not otherwise be saved. For his own soul is scattered and enslaved in these things about him, in trees, in animals, in men, in ideas, and it is his own soul he saves by completing these labors.

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We do not only free God by battling and subduing the visible world about us; we also create God. "Open your eyes," God shouts; "I want to see! Prick up your ears, I want to hear! March in the front ranks: you are my head!"

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Cries rise up on every side. Who shouts? It is we who shout - the living, the dead, and the unborn. But at once we are crushed by fear, and we fall silent. And then we forget - out of laziness, out of habit, out of cowardice. But suddenly the Cry tears at our entrails once more, like an eagle. For the Cry is not outside us, it does not come from a great distance that we may escape it. It sits in the center of our hearts, and cries out. God shouts: "Burn your houses! I am coming! Whoever has a house cannot receive me! "Burn your ideas, smash your thoughts! Whoever has found the solution cannot find me."

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This is our epoch, good or bad, beautiful or ugly, rich or poor - we did not choose it. This is our epoch, the air we breathe, the mud given us, the bread, the fire, the spirit! Let us accept Necessity courageously. It is our lot to have fallen on fighting times. Let us tighten our belts, let us arm our hearts, our minds, and our bodies. Let us take our place in battle!

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The essence of our God is obscure. It ripens continuously; perhaps victory is strenghened with our every valorous deed, but perhaps even all these agonizing struggles toward deliverance and victory are inferior to the nature of divinity. Whatever it might be, we fight on without certainty, and our virtue, uncertain of any rewards, acquires a profound nobility.

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