It is the mark of an educated man to look for precision in each class of things just so far as the nature of the subject admits; it is evidently equally foolish to accept probable reasoning from a mathematician and to demand from a rhetorician scientific proofs.

If there is some end of the things we do, which we desire for its own sake, clearly this must be the good. Will not knowledge of it, then, have a great influence on life? Shall we not, like archers who have a mark to aim at, be more likely to hit upon what we should? If so, we must try, in outline at least, to determine what it is.

A person might fairly doubt also what in the world they mean by the absolute - this that or the other, since, as they would themselves allow, the account of the humanity is one and the same in the absolute man, and in any individual man: for so far as the individual and the absolute man are both man, they will not differ at all: and if so, then the essential good and any particular good will not differ, in so far as both are good. Nor will it do to say that the eternity of the absolute good makes it to be more good; for a white thing which has lasted white ever so long, is no whiter than that which only lasts for a day.

When Christianity came into the world the task was simply to proclaim Christianity. The same is the case wherever Christianity is introduced into a country the religion of which is not Christianity.

It is of this sort of divine service I used the expression that, in comparison with the Christianity of the New Testament, it is playing Christianity. The expression is essentially true and characterizes the thing perfectly. For what does it mean to play, when one reflects how the word must be understood in this connection? It means to imitate, to counterfeit, a danger when there is no danger, and to do it in such a way that the more art is applied to it, the more delusive the pretense is that the danger is present.

And thus Christianity is played in, Christendom. Artists in dramatic costumes make their appearance in artistic buildings-there really is no danger at all, anything but that: the teacher is a royal functionary, steadily promoted, making a career-and how he dramatically plays Christianity, in short, he plays comedy. He lectures about renunciation, but he himself is being steadily promoted; he teaches all that about despising worldly titles and rank, but he himself is making a career.

In the New Testament sense, to be a Christian is, in an upward sense, as different from being a man as, in a downward sense, to be a man is different from being a beast. A Christian in the sense of the New Testament, although he stands suffering in the midst of life's reality, has yet become completely a stranger to this life; in the words of the Scripture and also of the Collects (which still are read-O bloody satire!-by the sort of priests we now have, and in the ears of the sort of Christians that now live) he is a stranger and a pilgrim-just think, for example of the late Bishop Mynster intoning, We are strangers and pilgrims in this world! A Christian in the New Testament sense is literally a stranger and a pilgrim, he feels himself a stranger, and everyone involuntarily feels that this man is a stranger to him.

I will not by suppression, or by performing tricks, try to produce the impression that the ordinary Christianity in the land and the Christianity of the New Testament are alike. "What Do I Want?"

He was extremely important to his contemporaries, who wanted nothing more than to see in him the Expected One; they wanted almost to press it upon him and and to force him into the role - but that he then refuses to be that!

My doubt goes like this: How could the Loving One have the heart to let human beings become so guilty that they got his murder on their consciences?