Our elucidations of the preliminary concept of phenomenology show that its essential character does not consist in its actuality as a philosophical "movement." Higher than actuality stands possibility. We can understand phenomenology solely by seizing upon it as a possibility.

The relation of feeling toward art and its bringing-forth can be one of production or one of reception and enjoyment.

"Here is the chalk." This is a truth; and here and the now hereby characterize the chalk so that we emphasize by saying; the chalk, which means "this." We take a scrap of paper and we write the truth down: "Here is the chalk." We lay this written statement beside the thing of which it is the truth. After the lecture is finished both doors are opened, the classroom is aired, there will be a draft, and the scrap of paper, let us suppose, will flutter out into the corridor. A student finds it on his way to the cafeteria, reads the sentence. "Here is the chalk," and ascertains that this is not true at all. Through the draft the truth has become an untruth. Strange that a truth should depend on a gust of wind. ... We have made the truth about the chalk independent of us and entrusted it to a scrap of paper.

The most thought provoking thing in our thought provoking time is that we are still not thinking.

In contrast to "Blessed are they who do not see and still believe," he speaks of "seeing and still not believing."

The human body is essentially something other than an animal organism.

Who is to determine what the perfect is? It could only be those who are themselves perfect and who therefore know what it means. Here yawns the abyss of that circularity in which the whole of human Dasein moves. What health is, only the healthy can say. Yet healthfulness is measured according to the essential starting point of health. What truth is, only one who is truthful can discern; but the one who is truthful is determined according to the essential starting point of truth.

The desire to philosophize from the standpoint of standpointlessness, as a purportedly genuine and superior objectivity, is either childish, or, as is usually the case, disingenuous.

"For many, abstract thinking is toil; for me, on good days, it is feast and frenzy." (XIV, 24) Abstract thinking a feast? The highest form of human existence? ... "The feast implies: pride, exuberance, frivolity; mockery of all earnestness and respectability; a divine affirmation of oneself, out of animal plenitude and perfection-all obviously states to which the Christian may not honestly say Yes. The feast is paganism par excellence." (WM, 916). For that reason, we might add that thinking never takes place in Christianity. That is to say, there is no Christian philosophy. There is no true philosophy that could be determined anywhere else than from within itself.

We ourselves are the entities to be analyzed.

We do not "have" a body; rather, we "are" bodily.

"What is a thing?" is historical, because every report of the past, that is of the preliminaries to the question about the thing, is concerned with something static. This kind of historical reporting is an explicit shutting down of history, whereas it is, after all, a happening. We question historically if we ask what is still happening even if it seems to be past. We ask what is still happening and whether we remain equal to this happening so that it can really develop.

Everywhere we remain unfree and chained to technology, whether we passionately affirm or deny it. But we are delivered over to it in the worst possible way when we regard it as something neutral; for this conception of it, to which today we particularly like to do homage, makes us utterly blind to the essence of technology.

If beings are grasped as will to power, the "should" which is supposed to hang suspended over them, against which they might be measured, becomes superfluous. If life itself is will to power, it is itself the ground, principium, of valuation. Then a "should" does not determine being. Being determines a "should." "When we talk of values we are speaking under the inspiration or optics of life: life itself compels us to set up values; life itself values through us whenever we posit values."

The human being is not the lord of beings, but the shepherd of Being.

Technology is in its essence something that human beings cannot master of their own accord.

Transcendence constitutes selfhood.

For anyone who at the end of Western philosophy can and must still question philosophically, the decisive question is no longer merely "What basic character do beings manifest?" or "How may the being of beings be characterized?" but "What is this 'being' itself?" The decisive question is that of "the meaning of being," not merely that of the being of beings.

Everyone is the other, and no one is himself. The they, which supplies the answer to the who of everyday Da-sein, is the nobody to whom every Da-sein has always already surrendered itself, in its being-among-one-another.

Nietzsche understands the aesthetic state of the observer and recipient on the basis of the state of the creator. Thus the effect of the artwork is nothing else than a reawakening of the creator's state in the one who enjoys the artwork. Observation of art follows in the wake of creation. Nietzsche says (SM, 821), "-the effect of artworks is arousal of the art-creating state, rapture."

Do the essences of proposition and of the truth determine themselves from out of the essence of the thing, or does the essence of the thing determine itself from out of the essence of the proposition? The question is posed as an either/or. However does this either/or itself suffice? Are the essence of the thing and the essence of the proposition only built as mirror images because both of them together determine themselves from out of the same but deeper lying root? However, what and where can be this common ground for the essence of the thing and of the proposition and of their origin? The unconditioned (Unbedingt)? We stated at the beginning that what conditions the essense of the thing in its thingness can no longer itself be thing and conditioned, it must be an unconditioned (Un-bedingtes).

The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.

The small are always dependent on the great; they are "small" precisely because they think they are independent. The great thinker is one who can hear what is greatest in the work of other "greats" and who can transform it in an original manner.

Plato has preserved in the Theaetetus - the story is that Thales, while occupied in studying the heavens above and looking up, fell into a well. A good-looking and whimsical maid from Thrace laughed at him and told him that while he might passionately want to know all things in the universe, the things in front of his very nose and feet were unseen by him." Plato added: "This jest also fits all those who become involved in Philosophy." Therefore, the question, What is a thing?" must always be rated as one that causes housemaids to laugh.

Philosophy will not be able to bring about a direct change of the present state of the world. This is true not only of philosophy but of all merely human meditations and endeavors. Only a god can still save us. I think the only possibility of salvation left to us is to prepare readiness, through thinking and poetry, for the appearance of the god or for the absence of the god during the decline; so that we do not, simply put, die meaningless deaths, but that when we decline, we decline in the face of the absent god.

What is peddled about nowadays as philosophy, especially that of N.S. [National Socialism], but has nothing to do with the inner truth and greatness of that movement [namely the encounter between global technology and modern humanity] is nothing but fishing in that troubled sea of values and totalities.

"To stamp becoming with the character of being-that is the supreme will to power." (WM 617) This suggests that becoming only is if it is grounded in being as being: "That everything recurs is the closest approximation of a world of becoming to one of being."

The domination of the public way in which things have been interpreted has already decided upon even the possibilities of being attuned, that is, about the basic way in which Da-sein lets itself be affected by the world. The they prescribes that attunement, it determines what and how one "sees."

Enjoyment of the work consists in participation in the creative state of the artist.

Kant's philosophy shifts for the first time the whole of modern thought and being (Desein) into the clarity and transparency of the foundation (Begrundung). This determines every attitude toward knowledge since then, as well as the bounds (Abgrenzungen) and appraisals of the sciences in the nineteenth century up to the present time. Therein Kant towers so far above all who precede and follow that even those who reject him or go beyond him still remain entirely dependent upon him.

It is said that "being" is the most universal and the emptiest concept. As such it resists every attempt at definition. Nor does this most universal and thus indefinable concept need any definition. Everybody uses it constantly and also already understands what is meant by it.

Nietzsche ... does not shy from conscious exaggeration and one-sided formulations of his thought, believing that in this way he can most clearly set in relief what in his vision and in his inquiry is different from the run-of-the-mill.

Kant speaks of the "thing-in-itself" (Ding an sich) in order to distinguish it from the "thing-for-us" (Ding fur uns), that is, as a "phenomenon." A thing-in-itself is that which is not approachable through experience as are the rocks, plants, and animals. Every thing-for-us is as a thing and also a thing-in-itself, which means that it is recognized absolutely withing the absolute knowledge of God. But not every thing-in-itself is also a thing-for-us: God, for instance, is a thing-in-itself, as Kant uses the word, according to the meaning of Christian theology.

From our human experience and history, at least as far as I am informed, I know that everything essential and great has only emerged when human beings had a home and were rooted in a tradition. Today's literature is, for instance, largely destructive.

This Europe, which in its ruinous blindness is forever on the point of cutting its own throat, lies today in a great pincers, squeezed between Russia on one side and America on the other. From a metaphysical point of view, Russia and America are the same: the same dreary technological frenzy, the same unrestricted organization of the average man...

Eternity, not as a static "now," nor as a sequence of "nows" rolling off into the infinite, but as the "now" that bends back into itself. ... Thinking the most difficult thought of philosophy means thinking being as time.

In order to remain silent Da-sein must have something to say.

Form displays the relation itself as the state of original comportment toward beings, the festive state in which the being itself in its essence is celebrated and thus for the first time placed in the open.

Mathematics is as little a natural science as philosophy is one of the humanities. Philosophy in its essence belongs as little in the philosophical faculty as mathematics belongs to natural science. To house philosophy and mathematics in this way today seems to be a blemish or a mistake in the catalog of the universities. Plato put over the entrance to his Academy the words: "Let no one who has not grasped the mathematical enter here!"

Every questioning is a seeking. Every seeking takes its direction beforehand from what is sought. Questioning is a knowing search for beings in their thatness and whatness.

This is precisely what is decisive in Nietzsche's conception of art, that he sees it in its essential entirety in terms of the artist; this he does consciously and in explicit opposition to that conception of art which represents it in terms of those who "enjoy" and "experience" it.That is a guiding principle of Nietzsche's teaching on art: art must be grasped in terms of creators and producers, not recipients. Nietzsche expresses it unequivocally in the following words (WM, 811): "Our aesthetics heretofore has been a woman's aesthetics, inasmuch as only the recipients of art have formulated their experiences of 'what is beautiful.' In all philosophy to date the artist is missing." Philosophy of art means "aesthetics" for Nietzsche too-but masculine aesthetics, not feminine aesthetics. The question of art is the question of the artist as the productive, creative one; his experiences of what is beautiful must provide the standard.

The particularity (Jeweiligkeit) of the places and their manifoldness are grounded in space, and the particularity of the time points is grounded in time. That basic characteristic of the thing, that essential determination of the thingness of the thing to be this one (je dieses), is grounded in the essence of space and time. Our question "What is a thing?" includes, therefore, the questions "What is space?" and "What is time?" It is customary The particularity (Jeweiligkeit) os the places.

I see the situation of man in the world of planetary technicity not as an inexitricable and inescapable destiny, but I see the task of thought precisely in this, that within its own limits it helps man as such achieve a satisfactory relationship to the essence of technicity. National Socialism did indeed go in this direction. Those people, however, were far too poorly equipped for thought to arrive at a really explicit relationship to what is happening today and has been underway for the past 300 years.

Those in the crossing must in the end know what is mistaken by all urging for intelligibility: that every thinking of being, all philosophy, can never be confirmed by "facts," ie, by beings. Making itself intelligible is suicide for philosophy. Those who idolize "facts" never notice that their idols only shine in a borrowed light. They are also meant not to notice this; for thereupon they would have to be at a loss and therefore useless. But idolizers and idols are used wherever gods are in flight and so announce their nearness.

The critique of the highest values hitherto does not simply refute them or declare them invalid. It is rather a matter of displaying their origins as impositions which must affirm precisely what ought to be negated by the values established.

Nevertheless, the ultimate business of philosophy is to preserve the force of the most elemental words in which Dasein expresses itself, and to keep the common understanding from levelling them off to that unintelligibility which functions in turn as a source of pseudo-problems.

We think of beauty as being most worthy of reverence. But what is most worthy of reverence lights up only where the magnificent strength to revere is alive. To revere is not a thing for the petty and lowly, the incapacitated and underdeveloped. It is a matter of tremendous passion; only what flows from such passion is in the grand style.

In everything well known something worthy of thought still lurks.

But in fact there is no circle at all in the formulation of our question. Beings can be determined in their being without the explicit concept of the meaning of being having to be already available. If this were not so there could not have been as yet any ontological knowledge. And prob­ably no one would deny the factual existence of such knowledge. It is true that "being" is "presupposed" in all previous ontology, but not as an available concept-not as the sort of thing we are seeking.

The will to the "true world" in the sense of Plato and Christianity ... is in truth a no-saying to our present world, precisely the one in which art is at home.